This is an unforeseen occurrence because the kingdoms of Grandbell and Isaac have been peacefully getting along with each other for many, many years. The prologue of Fire Emblem: Seisen no Keifu begins with Prince Kult, the son of King Azmur of Barhara Castle, making the decision for the Grandbellian army to subdue the Kingdom of Isaac, in response to an invasion of Darna by barbarians of Rivough, Isaac. The storyline is, in fact, particularly tragic, and the characters portrayed easily inspire sympathy and compassionate feelings, especially in the case of Sigurd. This is one of the reasons for the title's fame and fortune. The title has an extremely large and intricate storyline, even by Fire Emblem standards. In fact, sometimes, when reaching a new part of the story line, the player learns that several years have passed since his last mission. Seisen no Keifu adopts the usual narration style used in the precedent titles, with the difference that the time from one chapter to the other is much larger than usual. Each character also carries their own gold supply, as opposed to the use of a more standard collective pool of gold from which all characters could draw.
Also, weapons can be repaired, with more powerful weapons requiring more gold to repair. When characters fight in the arena, they do not die (as they do in other games), but rather lose the match and go back to battle with one hit point remaining. However, some ideas presented in this game were not used in future entries. The game similarly introduced the trinity of magic among Fire, Wind, and Thunder magics seen later in Path of Radiance and again in Radiant Dawn.
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Seisen no Keifu is also the first game in the series to feature the Weapon Triangle System, an important strategy concept that gives each weapon a Rock-Paper-Scissors like property. However, Fire Emblem: Awakening brings back the marriage concept, as it too features a storyline that makes it possible to play as a second generation of characters descended from the original cast. Later games used the Support System, a system that carried the same ideas that the Love System started. Given its heavy tie to the storyline, this feature was dropped in subsequent titles in the series. For example, if one character attacks an enemy while close to his/her lover, the character has a much higher chance of landing a critical hit, which deals three times the normal damage.Īs an additional feature, characters of opposite sex who had fallen in love during the first half of the game could generate children that became playable characters in the second part of the story, taking characteristics such as stats and growth rates from both parents. Characters with strong bonds also raise each other's stats when fighting together on the battlefield. Playable characters can converse with each other in the middle of the battlefield, possibly forming strong relationships or even falling in love with each other.
Some of these improvements are listed below.Īrguably the most important new feature introduced is a robust character relationship system that affects both elements of the gameplay and story. Gameplayīuilding upon the basic gameplay of the games that preceded it, Seisen no Keifu introduced a long list of innovations, many of which became standards for the entries that followed. The next entry in the Fire Emblem franchise would be a direct spin-off to Genealogy of the Holy War called Fire Emblem: Thracia 776, which served as a midquel that took place in the middle of Holy War's story. The game was released only in Japan on May 14th, 1996 and was later re-released on the Nintendo Wii's Virtual Console in 2007 followed by the Wii U in 2013. Fire Emblem: Seisen no Keifu (Genealogy of the Holy War) is the fourth installment of Nintendo's Fire Emblem franchise developed by Intelligent Systems and was the second title in the series to be produced for the Super Famicom.
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